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Guitar, bass keyboard amplifier very high quality HD
Jckndd <> 0.25 m to 25 m <> Black & Gold KLOTZ AC110SW / Neutrik NP2X-B & NP2X-B
Treat yourself to the best while saving money!
by buying This Jack Instrument cord of Very high professional quality
Get the Best and Save Money At The Same Time!
by Purchasing this very High Quality Professional Instrument Jack Cord.
For guitar, bass guitar, keyboard, and all musical instruments
Suitable for the scene, the studio and any high definition audio application
This audio cord is higher than the standard "lagrange supreme guitar" because it benefits from same cable, but more is made with neutrik jack connectors in gold plated gold version
You thus save the price of the blister and the illustrated cardboard for display, with a higher quality! About 2x, or even 3x cheaper ...
And... Custom Choice! Choice of custom length:-) ... Not to mention the quantitative reductions for the purchase of several cords!
Components:
KLOTZ AC-1110 SW cable = Gy107 Lagrange ::
Ref. "AC110" replaces the ref. "Gy107 Lagrange" for the most famous cables, whose characteristics remain unchanged, it is exactly the same cable under a different name (see the photo image of the two cables and read the story of this cable at the end of this ad (1)).
Among other exceptional characteristics, its capacity (2) extremely weak by only 65pf/m gives an extraordinary finesse of reproduction, without loss of treble.
The sound is transparent and can be easily realized, in particular by comparing an ordinary AC110 cable, for example with a guitar without incorporated preamp (passive microphones) like the famous FENDER STRATOCASTER . You will even hear it so easily with a low guitar by the "HD" wealth of harmonics and stamps.
As for Jack connectors, These are the famous Neutrik top-quality: NP2X-B (right) in molded zinc box black and Gold plated contacts
KLOTZ description for AC110:
Whether on stage or in the studio, when you demand a maximum quality of sound, our AC110 turns out to be of the very first choice. The demanding instrumentalists will immediately hear the difference: this high -end cable has an extremely low capacity (65pf/m) thanks to its PE foam driver insulation. The clear and powerful trebles are transmitted even in the event of the use of the long cables that are usually found on large stages, and even on the sound intake devices having a large number of windings and/ or with large impedance. The cable also has an extremely robust sheath and double shielding.
Technical AC110 specifications (= Gy107 Lagrange):
NB: AC110-SW: "SW" is the suffix designating the color version: black
Construction :
Central driver structure
7 strands in naked copper ofc hc
Central driver section
0.22 mm²
Separation layer
Driver plastic
Insulation
Foam-Skin-micro-alveolée polyolefin
1. shielding
Plastic material conductive layer
2. shielding
Spiral multibrio shield - Naked copper ofc hc
Outdoor sheath
Matt black PVC
Outside diameter
6.9 mm
Mechanical characteristics:
Minimal curvature radius:
40 mm
Operating temperature:
-20 ° C / +70 ° C
Electrical characteristics:
Ohmic loss:
<85 Ω/km (less than 85 ohms of electrical resistance per kilometer of cable, or 0.085 ohm/m)
Capacitance: Between driver and shielding (mass):
65 pf/m (65 picofarads per meter)
Isolation resistance:
> 1 GΩ x km
(1) The story of the KLOTZ Gy107-Swi Lagrange cable that has become AC110-SW:
In 1985, the German brand KLOTZ , already very renowned in professional sound circles, released a high quality audio cable for instruments, the reference of which was GY107 (in SW version = black) and called "LaGrange". Probably in reference to the famous piece of ZZ Top.
This cable was put up for sale (by 100 m or other coils) for resellers and users.
Immediately we were able to realize his incredible qualities by the difference of his that it gave by comparing it with any other cable for instrument, with any guitar or low guitar.
Even very good quality cables sounded "extinct" compared to the KLOTZ Gy107. We have done several tests and notably with STRATOCASTER guitars, Rickenbacker bass, etc. With the KLOTZ the difference was like that of an HD image compared to that of the blur of an old TV screen. Brilliant finesse in the acute and remanence of the sustain until the last vibration of the note played. In addition, no background noise or microphony (cable noise during movements). The top!
Being for a long time Audio technician, musico and reseller of sound and hi-fi equipment, I said to myself: "Well here is a cable that it is good for making high fidelity liaison cords!" Indeed its characteristics exceed those of all the bond cables for amplifiers and HIFI components. For example to connect a vinyl disc turntable to a high -end preamp ( or not), that's the ideal cable without putting a fortune!
Well it seems and it is even certain, that KLOTZ had the same idea: why reserve such a cable of such quality to only guitars or musical instruments?
KLOTZ So continued to make Jack cords with the marking bearing the name "Lagrange", which rings more "musical instrument", and carried out a new identical manufacture of its famous cable, with the screen printing "AC110 High Fidelity Audio Cable", instead of "Gy107", continuing to produce it only for its well -made cords and illustration, for musicians buying their instrument/amp liaison cord in music store or online store, with pre-determinated lengths and variants (type, quality and characteristics of connectors).
It's AC110-SW Alias Lagrange that I offer you here with the best connectors from Neutrik for these very high quality cords tailor -made, which will come back to you notably cheaper while having an equal or higher quality - depending on the commercial version and the model with which you will compare them - to that of other prepared cables, whether KLOTZ /neutrikor Those of other brands, such as Monster Cable, Van Damme, Sommer Cable, Mogami, Vovox etc.
Compare and ... YOU Will hear!
(2) The "capacity" or capacitance characteristic of an audio cable is the capacitive value, or "capacitor effect" which exists within this cable between theor drivers between them, and/or The mass (shielding braid) which, in the case of an asymmetrical cable (as here) also serves as a driver for the audio signal.
Indeed, over a whole length of cable, between conductors or between mass and conductors, an ability forms, which is that of the capacitor represented by the cable itself, and which we strive to make as low as possible because it is found in an electrically speaking with the audio and musical signal. A capacitor in parallel will absorb acute sounds, especially extremes, and harm transparency. The ideal cable would be the one where its drivers would be distant between them as much as possible and isolated by vacuum, but this is impossible, also the manufacturers will first treat the manufacture and the choice of insulation, and adapt the distance between conductors and between conductors and armor or conductive mass. This is what is done here with the AC110 with micro-alveolée polyolefin insulation. 65 pico-farads per meter is practically a record for a cable of this diameter and armored (outside diameter 6.9 mm PVC sheath included).
NB about the copper ofc (oxygen free copper):
Many resellers put on their product sheets this mention to all sauces and we can read formulas just intended to make the effect and without any skills in the matter:
Contrary to what one might think, it is not enough that copper is "OFC" so that it has the qualities sought concerning electrical conductivity or that of the audio signal. Indeed, the best brass for electrical conduction applications are in fact in a slicit of purity with an optimal oxygen rate up to 200 ppm, this conductivity then only decreasing above this rate. Indeed, the purest industrial copper contains various impurities harming its conductivity and, below the oxygen rate of 200 ppm, oxygen plays on the contrary a role of fixing and cancellation of the parasitic effects of these impurities.
The best of the best is the "OFC HC" or "HC ofC" (high conductivity of Copper), in fact the low oxygen rate is included in this optimal area.
But this is not very important, because an ohmic loss even of one or more Ohms over a few meters in audio frequencies, is practically negligible for sources of Impedance audio electrical signal of several thousands of Ohms such as the electromagnetic microphone of a guitar or acartridge Phono reading.
However : Writing "Our copper is OFC so reduced the capacity of the cable etc" is an ignorance of resellers who know nothing about electricity or sound.
Indeed, the distributed capacity of a cable (capacitive loss represented by PF/M) does not depend on the quality of its drivers, but of the geometric, physical and material constitution of this cable, and the quality and characteristics of insulators between its conductors.